Play Along Piano

Tags

Opera

2:13	Est. Play Time
35	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		31	61	3	10	91%
		30	36	5	8	74%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		31	61	3	10	91%
		30	36	5	8	74%

The Phantom Of The Opera Overture/Main Theme

samibe1

3:00	Est. Play Time
86	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	34	24	10	8	94%
	36	37	20	5	79%
	20	4	7	6	100%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	34	24	10	8	94%
	36	37	20	5	79%
	20	4	7	6	100%

The Phantom of the Opera

musikmann

4:02	Est. Play Time
121	Measures
	2,711Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	25	14	11	5	18%
	1	0	0	1	1%
View all 28 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	25	14	11	5	18%
	1	0	0	1	1%
	23	1	9	2	100%
Electric Bass	20	0	6	2	100%
Violoncello	18	0	3	3	77%
Contrabass	18	0	3	2	75%
Christine	29	0	3	7	57%
Electric Guitar	35	20	11	9	40%
Phantom	20	0	3	5	36%
Violin 1	25	0	3	7	30%
B♭ Trumpet 1	16	0	6	6	19%
Trombone 1	13	0	5	6	19%
Violin 2	24	0	3	7	17%
B♭ Trumpet 2	16	0	4	6	16%
F Horn 1 amp;amp; 3	13	0	6	4	12%
Viola	9	0	1	6	12%
Timpani	5	0	0	2	12%
Flute 1	9	0	3	6	11%
Trombone 2	11	0	4	5	11%
Flute 2	9	0	2	6	9%
F Horn 2 amp;amp; 4	13	0	5	4	7%
Tuba	12	0	3	4	7%
Oboe 1	8	0	2	6	7%
B♭ Clarinet 1	10	0	2	4	5%
B♭ Clarinet 2	7	0	2	4	5%
Bassoon 1	8	0	2	4	5%
Bassoon 2	10	0	2	4	5%
Oboe 2	10	0	3	4	5%

"Qual mesto Gemito" from Thalberg's Semiramide Fantasy Op. 51

Hazim Azlan

4:51	Est. Play Time
64	Measures
	1,296Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		50	65	25	21	80%
		52	110	23	11	99%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		50	65	25	21	80%
		52	110	23	11	99%

LUPULUS - End of Times

RAJ Thum

27:11	Est. Play Time
642	Measures
	11,791Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	51	252	33	11	87%
	69	232	47	9	92%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	51	252	33	11	87%
	69	232	47	9	92%
Violoncellos	36	325	31	9	95%
Violas	41	273	29	10	73%
Violins 1	44	223	34	12	70%
Horn	40	235	30	9	67%
C Trumpet	33	158	26	10	65%
Timpani	15	0	4	7	60%
Tenor	25	103	18	8	45%
Soprano	30	0	18	10	35%
Bass	27	114	12	9	22%

Oh, False One, You Have Deceived Me

ToxicoRad

3:06	Est. Play Time
130	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto Saxophone	21	0	10	7	93%
	22	0	9	4	95%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto Saxophone	21	10	7	93%
	22	9	4	95%
Tenor Saxophone	20	5	6	88%
Baritone Saxophone	22	7	5	74%

HWVA3N15 - "Se Fiera belva"

edward.maurath

6:18	Est. Play Time
71	Measures
	1,346Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	19	19	6	6	77%
	23	9	6	8	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	19	19	6	6	77%
	23	9	6	8	100%
Cembalo Continuo	17	8	5	6	65%
	23	34	7	8	100%
Contrebasso Continuo	20	0	5	5	91%
Violini	28	0	9	5	91%
Violoncello Continuo	20	0	5	5	90%
Castrato Alto as Bertarido	15	0	5	5	66%
Bassoon Continuo	21	0	5	4	65%
Viola	14	0	1	5	42%

AÏDA de Verdi : Chœurs Partie 8/10 Acte 3 : Introduzione - SOPRANO Prêtresse

Papibois

3:28	Est. Play Time
62	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	25	8	11	94%
	25	14	4	4	69%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	25	8	11	94%
	25	14	4	4	69%
Prêtres Bas	10	0	1	10	36%
Prêtres Ten	9	0	1	10	36%
Prêtresses Sop	6	0	1	6	33%
Ramfis	16	0	4	7	23%
Amnéris	7	0	1	7	10%

Overture

BelCantoOpera

6:16	Est. Play Time
177	Measures
	1,908Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	21	0	0	6	69%
Violins 1	20	0	0	7	64%
View all 22 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	21	0	6	69%
Violins 1	20	0	7	64%
Violas	18	0	8	63%
Violins 2	21	0	5	61%
Double Basses	16	0	6	59%
Flute	11	0	5	18%
	14	0	7	34%
B Trumpet	11	4	9	25%
	15	5	7	18%
Trombone	14	0	7	24%
	4	0	2	4%
Oboe	10	0	5	7%
	14	0	6	22%
Horn	12	2	6	21%
	10	1	4	19%
Bassoon	14	0	7	16%
	10	0	7	10%
B Clarinet	11	4	4	10%
	10	2	4	10%
Timpani	4	0	2	9%
F Tuba	3	0	2	2%
Piccolo	3	0	2	2%

Flight_of_the_Bumble-Bee

Nevin Williams

1:15	Est. Play Time
103	Measures
	1,477Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	21	19	7	3	89%
Violin	33	1	13	3	86%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	21	19	7	3	89%
Violin	33	1	13	3	86%
	26	4	11	3	81%
Violoncello	19	9	6	3	75%
Flute	31	20	14	3	72%
A Clarinet	18	6	7	2	24%
	27	9	11	2	60%
Bassoon	20	26	6	3	50%
Contrabass	14	0	3	2	48%
Horn in F	1	0	0	1	1%
	9	7	1	3	29%
Oboe	8	5	0	3	18%
English Horn	4	0	1	2	6%
B♭ Bass Trumpet	2	1	1	1	1%
Timpani	1	0	0	1	1%
Trombone	2	1	0	1	1%
Tuba	2	1	0	1	1%

Gounod, Faust: Choeur des soldats (1st part)

Mélisande

1:07	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	48	8	6	84%
	24	35	7	6	71%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	48	8	6	84%
	24	35	7	6	71%
B1	13	0	5	8	91%
B2	11	0	1	8	91%
T1	15	0	4	8	91%
T2	15	0	6	8	91%

HWV27A3N21 - Arsace "Fatto è Giove un Dio d'inferno"

edward.maurath

5:20	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	40	6	7	79%
	30	38	9	5	97%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	40	6	7	79%
	30	38	9	5	97%
Violoncello Continuo	23	0	7	5	97%
Arsace	18	0	6	7	74%
Violini	21	5	4	4	66%
Contrabassi Continuo	19	0	4	5	63%
Contrabasso Continuo	19	0	4	5	63%
Violoncelli Continuo	19	0	4	5	63%

HWV26A2N18 - Berengario, "D'instabile fortuna" in E Major

edward.maurath

6:14	Est. Play Time
85	Measures
	1,786Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	18	35	3	4	100%
	21	68	4	4	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	18	35	3	4	100%
	21	68	4	4	100%
Violoncello Continuo	20	0	3	4	99%
Vln 1	24	0	6	3	81%
Vln 2	23	0	6	3	81%
Kontrebaß	22	0	4	3	78%
Berengario	18	0	5	7	69%
Violas	16	0	4	3	46%

HWV26A1 - Se il mar promette calma - G Major

edward.maurath

4:08	Est. Play Time
65	Measures
	1,469Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	21	41	6	4	87%
	26	17	7	4	98%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	21	41	6	4	87%
	26	17	7	4	98%
Viola	22	0	7	3	97%
Violino 1	23	0	6	7	97%
Violino 2	24	0	7	6	97%
Double Bass Continuo	22	0	7	3	95%
Violoncello Continuo	23	0	7	3	95%
Bass as Clodomiro	17	0	6	8	75%
Bassoon Continuo	23	0	7	4	75%

HWV8A2N13 - "Un sospiretto d'un labbro pallido" (Dorinda)

edward.maurath

4:17	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	29	9	7	97%
	25	19	5	7	97%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	29	9	7	97%
	25	19	5	7	97%
Violoncello	24	0	5	6	97%
Contrabass	24	0	5	5	88%
Dorinda	17	0	6	6	75%
Violins 1	22	0	7	7	56%
Contrabasses	17	0	4	3	47%
Violoncellos	17	0	4	3	47%
Bassoon	10	0	2	3	13%
Oboe	14	0	2	5	13%